Only a couple of hours more to go, Pencil Test Studios' and Doug Tennapel's ("Earthworm Jim") AMIKROG! I back it, good luck, Doug!
Niko and the Sword of Light - Episode 1 -
1 hour ago
«Among the most pronounced features of the film is the extreme contrast between the conciseness of its scene, and the extraordinary amount of labor that went into its creation: more than 5,000 handmade sketches, layouts, animation drawings, watercolored backgrounds and ink-rendered animation cells, produced in close cooperation with acclaimed artists from the animation departments of film studios in Los Angeles, most notably Disney. Several small groups of these drawings are presented in the Austrian Pavilion. The soundtrack, another key element of the production, was recorded with a full orchestra in the style of the period at the Warner Brothers scoring stage in Los Angeles. It combines new original music created specifically for this project with a re-arrangement of a popular song from the 1930s written by Arthur Freed and Nacio Herb Brown.»
«Like an anarchist who has studied every stitch and fold of the banker’s suit, Jiri Geller models and subverts the iconic forms of contemporary culture with vengeful precision.
While - not inaccurately - self-defining as “an outsider, a punk rocker”, Geller is also the rare Finnish artist who has both managed to stay close to Finnish aesthetic strengths and traditions and also detonate his own unique brand of post-national, mind-fucker nihilism.»
Mark Maher, Helsinki Finland, May 2010 (via)
«Warhol himself was a man of comics. He had used a number of comic images to create an artistic ensemble for the Bonwit Teller Department Store window in New York, including Superman, Dick Tracy and Popeye in 1961, which was one of his earliest ‘Pop Art’ displays. Here there was a Popeye from 1961, a splash of watercolour, graphite and newspaper cutting, Pop Art and then photos for Esquire magazine by Frank Bez of Nico and Andy as Batman and Robin.» ForbiddenPlanet
Spitzweg, yet yet again.